Uskudar Eclectic features Yigitcan Eryaman (Vocals, Guitar), Greg Herriges (Bouzouki,keyboards) and Stephen Spaise (percussions). The band plays Turkish & Balkan folk and popular tunes, progressive rock influenced originals, Indian subcontinental flavors

Mariah Mercedes is a pop/R&B artist from the Twin Cities delivering smooth grooves with a perpetual smirk.

The Fragrants

Join John Munson, Jacques Wait, Max Ray, Sasha Burk and Richard Medek as they explore funky, fragrant jams by such artists as The Meters, Booker T, Grant Green and Reuben Wilson. If you’re bold we will move the tables and you can get your sweat on.

Featuring special guests LASKA & The Nunnery!

Stripping down the walls of sound, diving into the breath, while providing focus on the natural space. Stemming from their original source, we will be showcasing many fresh trax!, along with beautiful creators & cosmic collaborators.

The Maeflies, Minnesota’s Americana-country-rock ensemble of 5, have been playing their trademark sound for over 15 years. They deliver rich signature harmonies, hot guitars and songs that tell a story. The Maeflies know their way around any iteration of guitar, including pedal steel, mandolin and banjo. All the Maeflies can sing and pass around the lead vocal. Mae fronts the band; and you will discover why. The Maeflies have released 2 albums of original music: “Goodbye Sometimes” and “Dinkytown Highway”, both available on iTunes, Pandora Radio, Spotify and more.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Join the Delphia Cello Quartet for their first monthly residency of the season. Jarrelle Barton will open on the guzheng, an ancient Chinese zither. The Delphia Cello Quartet, an all-female group, will play original arrangements of popular and classical songs. Cellists Elena Denny, Nora Doyle, Arianna Wegley, and Julia Floberg.

The story goes that the young Australian singer, songwriter and one-of-a-kind guitar virtuoso first picked up his instrument of choice as a five-year-old following in the footsteps of a musical father. He began writing songs at 12, training classically throughout his teens and performing solo wherever he could, honing his craft and developing what would become the dynamite live show that he is renowned for today. At 18 he left school, turned professional and hit the road.

The Argument is an all original pop-punk/singer-songwriter project coming out of Minneapolis, MN. Led by singer & songwriter Lydia Wisti, the band consists of drummer Stella Robinson and bassist Dom Winterbauer. The Argument is the next generation of musicians coming from families that have been playing in the Minnesota music scene for decades.

Sapphire is a femme pop punk band from the twin cities who love to play music and engage with folks. We aim to create an inclusive environment in the Minneapolis/St. Paul teen punk scene since representation can be somewhat limited.

David Huss is a Minneapolis based singer-songwriter with a writing style rooted in Americana, folk and upbeat acoustic rock. David's songs are written with an optimistic perspective and are inspired by life's transitions.

In 2019 David recorded his first full length album - Intuition - and simultaneously
formed his band 'The Headwaters'. The past year consisted of full band performances around the state of Minnesota, finishing the album, and honing the sound of the full band into the finished upbeat folk rock sound they have become known for. 'The Headwaters'
are Lara Solveig on violin and harmony, Wesley Miller on percussion, Danny Gilles on keys and harmony, Noah Cameron on bass, and Hannah Hmeidie on on French Horn.

2019 has been a stellar year for The April Fools, beginning with the April 1 release of their latest CD "Third" -- engineered and produced by Mike Owens at Blackberry Way Studios, and mastered by Andy Walters at Abbey Road Studios, London, UK.

Featuring a mix of originals and covers, "Third" finds the band dialing in a more straight up rock-oriented sound, while maintaining the focus on vocal harmony and classic songwriting that made their first two releases so unique.

"Third" has received radio airplay on more than 200 radio stations in the U.S. and beyond, including features on Tom Lambert's internationally syndicated "The Independent Music Show," "The Razor and Die Show" on WLUW in Chicago, and KFAI, 89.3 The Current, and WEQY locally in the Twin Cities.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Bill Evans was born William John Evans in 1929 and was one of the most influential jazz pianists in history. His use of impressionist harmony, block chords, complex rhythms, and simultaneous improvisation of group members redefined groups, composition, and jazz pianists.

The Larry McDonough Quartet (LMQ) will feature the musical life of Bill Evans from beginning to end.

Jazz curator Steve Kenny called Larry the Bill Evans scholar of Minnesota. Larry grew up listening and transcribing Evans’ music, having seen his live performances in the 1970s. His shows and recordings feature the music of Evans. Larry has become friends with Evans’ widow Nenette, who supports Larry’s projects and provides him with some of Bill Evans’ manuscripts. Larry is the only Minnesotan invited to study the Bill Evans Archive at the Center for Southeast Louisiana Studies of Southeastern Louisiana University. Movie director Bruce Spiegel chose Larry to host Minnesota showings of his documentary film “Bill Evans Time Remembered.”

Every First Tuesday of the monthRadio Five Watt presents an in-the-round style songwriter showcase featuring some of the Twin Cities most beloved local performers.

Featuring Max Krauth, Waltzing on Waves, & Cassondra Lea!!

Radio Five Watt is a locally focused music, arts and culture internet radio station. We stream online 24 hours a day from our radio desk in the Northeast Minneapolis Five Watt Coffee shop.

Our goal is to be a catalyst of community and connectivity in a city rich with talent. From broadcasting the best and the newest of local music, to podcasting bits from our arts and culture community. Radio Five Watt is the the place where it all comes together to form one resonant voice, connecting everyone who listens and contributes.

Featuring weekly special guests!

11/6: Al Church
11/13: Mayda
11/20: Luke Zimmerman

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

JAmerican Pleasure Dome is a four piece rock and roll band from Minneapolis, Mn.

Band leader and songwriter Hans Schumacher writes songs drawing from a musical palette that includes rock, alt country, and folk. As an artist, Hans tries to connect with listeners by creating enticing sonic landscapes. His songs share a playful perspective on the complex issues of modern life. As a band, American Pleasure Dome is musically explorative, and brings a wide range of influences to their sound.

Singer/songwriter, Vicky Emerson, has been heralded by the Minneapolis Star Tribune for her gorgeous, dusky voice and songwriting chops on previous releases but her new album, Steady Heart, which she self-produced, firmly establishes her as an essential, strong female voice in Americana music. Steady Heart, has received critical acclaim, helping her to rise to #4 on the European Americana Charts, #52 on the US Americana Album Chart and #34 on the Americana Singles Chart with her hit, "The Reckoning." No Depression raved that she is "...one of the pre-eminent independent singer/songwriters working in Americana. Her lyrical acumen is readily apparent for any listener, those unfamiliar with her work and longtime fans alike, but the lean economy of her poetic musings separates her work from performers who might otherwise overdo their desired effect on the audience." Vicky is based in Minneapolis, continues to tour on a national basis and has opened for Amanda Shires, Gregory Alan Isokav, Malcomb Holcombe and Brent Cobb.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Laura Hugo is originally from the Navajo Nation but has been calling the Twin Cities her home for the last 7 years. She’ll make you feel the feels with her melodic and catchy tunes about heartbreak. You’ll probably find her frequenting open mics, playing at various Minneapolis music venues and watching others play shows at least 4 days a week.

Featuring weekly special guests!

11/13: Mayda
11/20: Luke Zimmerman

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Remember sitting in your living room as kid? The shag carpet tickling the back of your legs. You were chewing on your Marathon bar and sipping from a can of Rondo Soda while watching your favorite TV show…was it CHiPs or S.W.A.T.?… Doesn’t matter they both were great and so was the music in them. The Neighborhood Trio might just take you back to those times with their groovy 70’s theme song inspired tunes, but sorry Rondo is long gone, but I’m sure you will find something from the bar to crush your thirst!

Family Three are just two guys and one gal who love music. They would describe their sound as "Blindie-Soulk" - Blues, Indie, Soul and Folk. They have been playing some form of music since they were kids, but it wasn't until recently that they decided to take the next step, and are on the journey of finding out what it means to put the passion of music in the front seat.

Lowry Bridge consists of Phil Daniel song writer, guitar & vocals, Daniel Rachelbacher bass guitar & Kevin Sheehy drums. Formed in early 2018.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Liam Gerard is a Minneapolis-based singer, songwriter, recording artist and performer. With roots in pop music of the 90’s to his adult addiction with Motown and the blues of Ray Charles. The music has been described as pulsing and melodic, with an attention to reflective lyrics based on experience. Tastes of alternative, blues, folk and pop give the music an eclectic feel as it spans multiple genres. Liam Gerard wrote all 11 tracks on his debut album “Belle and Music” and funded the entire project without a record contract  over the course of 25 months of work recording it. Each song represents a moment/ event in time captured in the mind of a man utterly impassioned by his muse; a woman he refers to as, Belle.

Liam Gerard is currently in the works for his follow up to, Belle and Music. Be on the look out for new material in Late Spring, or follow on all Social Media to keep up to date and to learn about shows in the Minneapolis area and beyond.

Featuring weekly special guests!

11/20: Luke Zimmerman

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Laurent started playing clubs in Minneapolis while still in high school, signing his first record deal when he was twenty-two. His fifth album "Love Don't Let Me Down" was produced in Nashville, where Laurent is a full time songwriter.

"Nashville has been great. I've been able to work with songwriters who's names I used to read in the liner notes of my favorite records, grammy winners, and major label recording artists."

ADIOS is Cory Branan’s death record. Not the cheeriest of openings, but like all of Branan’s mercurial work, it’s probably not what you think. As funny and defiant as it is touching and sad, this self-dubbed “loser’s survival kit” doesn’t spare its subjects or the listener.

Not even Branan’s deceased father is let off the hook. In the tender homage “The Vow” he drolly cites his father’s favorite banality “that’s what you get for thinking” as “probably not the best lesson for kids.” For most songwriters that would be the punchline but Branan pushes through words and, in his father’s actions, finds a kind of “genius in the effortless way he just ‘did’.”

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Join Delphia for their second residency of the season at Aster Cafe. Hannah Flowers will open with the soaring sounds of solo harp. Delphia will follow with cellists Rosa Thompson-Vieira, Katherine Canon, Julia Stewart, and Julia Floberg.

The Fragrants

Join John Munson, Jacques Wait, Max Ray, Sasha Burk and Richard Medek as they explore funky, fragrant jams by such artists as The Meters, Booker T, Grant Green and Reuben Wilson. If you’re bold we will move the tables and you can get your sweat on.

The Hive’s purpose is to provide community and opportunity for femme artists in the Twin cities to perform, network, expand and strengthen skill sets, and to give and receive support from other female identifying artists. Our goal is diversification and inclusion of femme identifying musicians. We are just getting started, so stay tuned as we press in toward achieving our goals and support local music by femme artists. Currently, we are featuring: Annie Mack, Sharisse Germain, Cassandra Cole, Waltzing on…

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

The Fourth Wall is an up and coming Jazz Quartet from Saint Paul, MN consisting of drummer Nathanael Smith, bassist James Towns, and pianist/saxophonist Rhys Leroux, along with a rotation of different musicians. Drawing from a variety of influences, The Fourth Wall's eclectic sound is infectious and thought-provoking, appealing to a diverse audience.

Featuring weekly special guests!

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Laura Hugo is originally from the Navajo Nation but has been calling the Twin Cities her home for the last 7 years. She’ll make you feel the feels with her melodic and catchy tunes about heartbreak. You’ll probably find her frequenting open mics, playing at various Minneapolis music venues and watching others play shows at least 4 days a week.

Featuring weekly special guests!

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Featuring weekly special guests!

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Family Three are just two guys and one gal who love music. They would describe their sound as "Blindie-Soulk" - Blues, Indie, Soul and Folk. They have been playing some form of music since they were kids, but it wasn't until recently that they decided to take the next step, and are on the journey of finding out what it means to put the passion of music in the front seat.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

The Fragrants

Join John Munson, Jacques Wait, Max Ray, Sasha Burk and Richard Medek as they explore funky, fragrant jams by such artists as The Meters, Booker T, Grant Green and Reuben Wilson. If you’re bold we will move the tables and you can get your sweat on.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Featuring weekly special guests!

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Laura Hugo is originally from the Navajo Nation but has been calling the Twin Cities her home for the last 7 years. She’ll make you feel the feels with her melodic and catchy tunes about heartbreak. You’ll probably find her frequenting open mics, playing at various Minneapolis music venues and watching others play shows at least 4 days a week.

Featuring weekly special guests!

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Family Three are just two guys and one gal who love music. They would describe their sound as "Blindie-Soulk" - Blues, Indie, Soul and Folk. They have been playing some form of music since they were kids, but it wasn't until recently that they decided to take the next step, and are on the journey of finding out what it means to put the passion of music in the front seat.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Featuring weekly special guests!

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Join Delphia for their monthly residency at Aster Cafè. Sprig of That will open with original songs and arrangements for violin, guitar and tabla.

Featuring weekly special guests!

Turn! Turn! Turn! is the semi-acoustic trio Savannah Smith (guitar, vocals), Adam Levy (guitar, vocals) and Barb Brynstad (bass, vocals) playing their favorite close harmony 60's and 70's country, folk and pop covers along with a handful of cosmic indie/folk/Americana originals.

Join Delphia for their monthly residency at Aster Cafè. David Gerald Sutton will open with his impressive ability to loop his violin into an entire orchestra.