Since forming in 2006, The High 48s have been making music that combines the soulful sound of classic bluegrass with a modern attitude, original songs and a wide range of influences far beyond Bill Monroe, the Stanley Brothers, and Flatt and Scruggs.

In a genre created and dominated by artists from the South, The High 48s were born and raised in the Upper Midwest. And in a music scene where playing standards is the norm, The High 48s are a band of songwriters who perform their own material in addition to the “festival favorites.”

Kari Arnett is an Americana singer/songwriter based in Minneapolis, MN. Drawing lyrics from hard life experiences, Arnett’s focus was to connect to other’s through song. While her lyrics are poignant, honest, and thought provoking, Kari Arnett has an authenticity that is rare. Having an affinity for lonesome melodies and rich dynamic vocals, she delivers a genuine Midwestern feel to any room. Her first EP, Midwestern Skyline was released in late 2015, and her single, “Heavy Heart” was featured as a Daily Discovery, by American Songwriter Magazine. Her full-length debut album, "When The Dust Settles" - Produced by: Danny O'Brien (Now, Now, The Farewell Circuit) Mastered by: Huntley Miller (Bon Iver, Sylvan Esso), was released September 20th, 2018 and has garnered great reviews from No Depression, Americana Highways, The Daily Country, Wide Open Country, and The Current's Host and DJ of The United States of Americana, Bill DeVille has praised Arnett for "being one of the Twin Cities most hardworking artists", and her single This American Life has earned a #1 spot on The Alternate Root Spotify playlist.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Join Mary Bue every Sunday in January accompanied by a rotating full band consisting of some of the most talented players in town.

With special guests...
1/20 Ryan & Pony
1/27 Dylan Hicks

Mary Bue is an indie musician based in Minneapolis. A prolific songwriter with 7 albums under her belt, Mary’s music touches upon archetypal themes of the human condition: love, loss, triumph, dreams, and the natural world. A longtime student of yoga and psychology since her early teens, Mary weaves sacred subject matter into her songs with inquiries into the spirit, the seeking of deeper levels of consciousness, and deep concern for the environment all mixed into her sometimes crass, real-world hue.

Mel and the Side Effects. A Band with hints of Indie-Folk, Americana and groove. It is bar room harmonies, bursts of harmonica and complex tangles of acoustic bass and guitar. This trio is made up of three long time friends: Dan Scultz, Jeremy Plumb and Mike Haldorson. They have been playing in bands together for more than 15 years and that familiarity makes each show an improvisational unique experience. On the latest EP: The sophomore release from Mike Haldorson and bandmates, this time as Mel and the Side Effects, is a bluesy Americana ode to noticing and appreciating the little things that make life delightful.

Lowry Bridge consists of Phil Daniel song writer, guitar & vocals, Daniel Rachelbacher bass guitar & Kevin Sheehy drums. Formed in early 2018.

Billy Johnson is a singer/songwriter from Minneapolis. Billy was the lead singer of The Hillcats, and is the lead singer of Billy Johnson’s Roadshow. He also has an acoustic duo called B-TEAM with George McKelvey. Billy has recorded 10 CDs. He strums a Gibson guitar with soul, and has a great vocal range.

Since forming in 2006, The High 48s have been making music that combines the soulful sound of classic bluegrass with a modern attitude, original songs and a wide range of influences far beyond Bill Monroe, the Stanley Brothers, and Flatt and Scruggs.

In a genre created and dominated by artists from the South, The High 48s were born and raised in the Upper Midwest. And in a music scene where playing standards is the norm, The High 48s are a band of songwriters who perform their own material in addition to the “festival favorites.”

Mixing genres like Jazz, R&B, and Neo-Soul, Ashley Groves’ music both brings a bang and begs you to lean in. Writing since her early teens, her music range from the sassy and self-confidant, to the vulnerable and yearning. After the band’s debut album, Bad Idea, in 2018, they were featured in The Journal: “Bad Idea” is a big and bold debut that shows off Groves’ emotive voice amid a backdrop of jazzy and soulful arrangements.” Backed by amazing musicians and being compared to Nae Palm of Hiatus Kaiyote in style, and Adele in power, Ashley Groves is not a show you want to miss.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Join Mary Bue every Sunday in January accompanied by a rotating full band consisting of some of the most talented players in town.

Mary Bue is an indie musician based in Minneapolis. A prolific songwriter with 7 albums under her belt, Mary’s music touches upon archetypal themes of the human condition: love, loss, triumph, dreams, and the natural world. A longtime student of yoga and psychology since her early teens, Mary weaves sacred subject matter into her songs with inquiries into the spirit, the seeking of deeper levels of consciousness, and deep concern for the environment all mixed into her sometimes crass, real-world hue.

Ben David is a poet that plays fingerstyle guitar. With existential reflections on love, humanity, and the mundane - he crafts folk songs from lived experience. Born to the interminable horizons of Southwest Minnesota, and raised with a love for the Northwoods, his lyrics and chordal style are inundated with enterprise, and enveloped by the roll of the wind. Through calm quiet insights, sidewinding streetlight storytelling, and a glint to the absurd he meanders the valley of music. After playing countless house shows, coffee shops, breweries, bookshops, and the like - he’s emerged from the bedroom to John Munson’s studio in Northeast Minneapolis. With singles acclaimed on The Local Show of 89.3 The Current & Radio Five Watt, his debut album ‘Far Off Gaze’ is nigh complete with a release date underway.

Dreamboat is a Minneapolis based band formed in May 2017 comprised of four members bringing their eclectic background to solidify their sound. With influences ranging from rock, pop, alternative, country folk and R&B, Dreamboat focuses on an easy listening, mellow vibe with a majority of original cuts sprinkled with some classic revamps sure to please your ear. Guitar, violin, banjo, bass, drums and vocal harmonies fill the seas....so sails Dreamboat.

Tin Ear 3tet takes a love of vintage swing music and infuses it with a passion for songwriting, playing soul-melting originals both sweet and hot. An all-star trio featuring Joshua Parlanti from Mississippi Hot Club, Daniel Rosen from The Gentlemen's Anti-Temperance League, and Taylor Donskey from Lena Elizabeth.

Since forming in 2006, The High 48s have been making music that combines the soulful sound of classic bluegrass with a modern attitude, original songs and a wide range of influences far beyond Bill Monroe, the Stanley Brothers, and Flatt and Scruggs.

In a genre created and dominated by artists from the South, The High 48s were born and raised in the Upper Midwest. And in a music scene where playing standards is the norm, The High 48s are a band of songwriters who perform their own material in addition to the “festival favorites.”

Piano-driven grooves and melodies are met with climbing guitarmonies and a supple rhythm section. These elements cleverly fuse together with dire vocals guiding the way. Battlerat’s third release, Done Deal, showcases Celeste Heule's idiosyncratic writing style with a collection of distinct songs that deliver both tension and balance.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

It’s not so much a sound as it is an essence; there is no need to be able to distinguish it before you can trust it. A Piano in Every Home’s second album North American Review is a collection that captures a poignant picture of the beauty and pain that comes with growing up. Written in the space and time reserved for examination, these eight tracks were coaxed from their bated origins with a delicate confidence and trial and error.

What started out as a duo of Travis Erickson on guitar and vocals, and Jacob Pavek on piano, the two childhood friends incorporated the doctrine of their live show into North American Review, which includes Jake Wallenius on drums and Mark Newcome Kartarik on bass. The quartet transformed the wide-eyed tunes into a full-grown collation.

In 2015 Nick Anderson & The Skinny Lovers emerged on the scene with their release of Ephrem Pt. 1. Later, with the release of Ephrem Pt. 2 their songs garnered national attention. They secured a number 1 spot on independent radio charts, and licensing deals with MTV, E!TV, and NETFLIX.

In 2018 the band found itself opening for Sam Llanas (formerly of The Bodeans) which lead to a slot in Summerfest’s Emerging Artist Series. 88nine Radio had to say “hottest up and coming talent...dont miss if you want to be able to say "I saw them before they were cool”

Nick Anderson & The Skinny Lovers just released their debut full length album Ephrem (Pts. 1-3) to a sold out hometown crowd and are scheduled to open for Steve Harwell of Smash Mouth in February. As the shows get bigger, and the fans get more attached, this band shows no signs of slowing down.

Forming after years of making music in high school, the Minneapolis-based pop band, Yam Haus, released their debut album, Stargazer, on June 8, 2018. Produced by Mark Heimermann at Sevens-Gate Studio in Hudson, WI, the band’s love for punchy pop, old-school rock and roll, sensitive folk, and the beat of hip-hop inspired their first album.

Yam Haus has developed a strong following in the Twin Cities since the release of Stargazer, selling out venues including 7th St Entry, Amsterdam Bar & Hall, and Phipps Theater, in addition to supporting Bishop Briggs at a sold out Mainroom show at First Avenue and being named as one of First Avenue’s Best New Bands of 2018.

“Be careful what you get good at doin’ ’cause you'll be doin’ it for the rest of your life.” An all-too-common sentiment shared by maturing musicians trading their passions for what pays the bills. The Usual Things (Minneapolis, MN-based alternative rock) find the balance with their third record “Backup Plans.”

Bolstered by Andy Thompson’s (Taylor Swift, Dan Wilson, Jeremy Messersmith) skilled production, “Backup Plans” exhibits a maturing band exploring their craft in between the nine-to-fives. While still unmistakably The Usual Things, “Backup Plans” breaks new ground with lush keyboard backdrops, string arrangements, and horn sections—hell, there’s even French horn solo hiding in there somewhere.

Since forming in 2006, The High 48s have been making music that combines the soulful sound of classic bluegrass with a modern attitude, original songs and a wide range of influences far beyond Bill Monroe, the Stanley Brothers, and Flatt and Scruggs.

In a genre created and dominated by artists from the South, The High 48s were born and raised in the Upper Midwest. And in a music scene where playing standards is the norm, The High 48s are a band of songwriters who perform their own material in addition to the “festival favorites.”

Jeremy Ylvisaker is a multi-instrumentalist, composer, producer who has worked with John Prine, Jenny Lewis, Justin Vernon (Bon Iver), Andrew Bird, Sandra Bernhard, Damo Suzuki (Can), members of Prince’s New Power Generation, Mouse on Mars, Swamp Dogg, The Suburbs, film maker Chuck Statler ("The Truth About Devolution"), Merce Cunningham dance company, and many others playing on five continents in venues such as the Sydney Opera House, Carnegie Hall, The Cape Town Jazz Festival, The Ed Sullivan Theater (The Late Show with David Letterman), and other television programs including Austin City Limits and the Colbert Report. He composes and improvises a variety of instrumental music, some of which to accompany dance performances such as "Stripe Tease", some of which for use in films such as "Pitchfork Unsung: Dan Corrigan", "Rhythmic" (feat. Andrew Bird), and "Trophy Husband." Some just for listening while you do your thing. And a lot of rock n roll.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Laura Hugo is originally from the Navajo Nation but has been calling the Twin Cities her home for the last 7 years. She’ll make you feel the feels with her melodic and catchy tunes about heartbreak. You’ll probably find her frequenting open mics, playing at various Minneapolis music venues and watching others play shows at least 4 days a week.

Dirt Train 2nd Wednesdays RESIDENCY featuring special guests!!

Dirt Train is a five-piece Americana Rock & Roll band greasy enough to spread on toast. With equal parts classic Country and Soul tendencies, these ace Twin Cities players will make you dance, cry, and give you the courage to drink your weight in Jim Beam.

Family Three are just two guys and one gal who love music. They would describe their sound as "Blindie-Soulk" - Blues, Indie, Soul and Folk. They have been playing some form of music since they were kids, but it wasn't until recently that they decided to take the next step, and are on the journey of finding out what it means to put the passion of music in the front seat.

Since forming in 2006, The High 48s have been making music that combines the soulful sound of classic bluegrass with a modern attitude, original songs and a wide range of influences far beyond Bill Monroe, the Stanley Brothers, and Flatt and Scruggs.

In a genre created and dominated by artists from the South, The High 48s were born and raised in the Upper Midwest. And in a music scene where playing standards is the norm, The High 48s are a band of songwriters who perform their own material in addition to the “festival favorites.”

Sawyer’s Dream is a modern take on 70s vibe rock. All original tunes with amazing vocals and harmonies. The band is upbeat, fun and filled with hippie soul!

The story goes that the young Australian singer, songwriter and one-of-a-kind guitar virtuoso first picked up his instrument of choice as a five-year-old following in the footsteps of a musical father. He began writing songs at 12, training classically throughout his teens and performing solo wherever he could, honing his craft and developing what would become the dynamite live show that he is renowned for today. At 18 he left school, turned professional and hit the road.

Based out of Minneapolis, Ryan Lee Jones is a singer-songwriter and music producer. His music holds the influences of Bon Iver, Jon Foreman, and Sufjan Stevens.

Syvers, a native Minneapolis indie folk-electronic duo stir together a love of honest vulnerability with contemplative discovery to process their tangled webs of identity in the flickering dance of dark and light.

Ben Noble is a Minneapolis-based singer-songwriter who released his first full-length album Whisky Priest in the Spring of 2017. Fully self-produced and recorded in a cabin, Whisky Priest is a journey of exacting introspection. Noble loves the contrast of serene, innocent melodies with a haunting chorus of falsetto voices.

Annie Mack has built a reputation for writing meaningful, relate-able and inspirational songs. Live, she delivers her songs with power, soul and conviction.

A dynamic vocalist and charismatic performer, she takes the audience on a journey; from velvet lined melodic depths to exciting, gritty, full bodied church hollers.

A regional Powerhouse with National Recognition, Annie has performed at many top festivals and venues, including The John Coltrane jazz Festival-High Point North Carolina, The Lancaster Roots and Blues Festival-Lancaster Pennsylvania, The Thunder-Bay Music Festival-Ontario Canada, The Minnesota State Fair, The Twin Cities Jazz Festival, The Bayfront Blues Festival(six years running)-Duluth MN, Buddy Guys-Chicago Illinois, The Blues City Deli - St. Louis, Missouri and The Arts Garage Del-Ray Beach Florida. Annie is a regular performer around Minnesota, appearing frequently at venues such as The Aster Cafe, Bunkers Bar and Grill, Vieux Carre, and The Dakota Jazz Club.

Since forming in 2006, The High 48s have been making music that combines the soulful sound of classic bluegrass with a modern attitude, original songs and a wide range of influences far beyond Bill Monroe, the Stanley Brothers, and Flatt and Scruggs.

In a genre created and dominated by artists from the South, The High 48s were born and raised in the Upper Midwest. And in a music scene where playing standards is the norm, The High 48s are a band of songwriters who perform their own material in addition to the “festival favorites.”

The Maeflies, Minnesota’s Americana-country-rock ensemble of 5, have been playing their trademark sound for over 15 years. They deliver rich signature harmonies, hot guitars and songs that tell a story. The Maeflies know their way around any iteration of guitar, including pedal steel, mandolin and banjo. All the Maeflies can sing and pass around the lead vocal. Mae fronts the band; and you will discover why. The Maeflies have released 2 albums of original music: “Goodbye Sometimes” and “Dinkytown Highway”, both available on iTunes, Pandora Radio, Spotify and more.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Honky-Tonk Jump plays swingin' Texas dance hall music in the tradition of Bob Wills, Milton Brown, Ernest Tubb and Spade Cooley with a sprinkling of Hank Williams and other early honky-tonk legends. This five-piece band rustles up a rhythm roundup with Dan Newton on accordion/vocals, Tom Schaefer on fiddle, Dan Lowinger on guitar, Vaughn Asselstine on bass and Dehl Gallagher on drums. Their music features signature twin and triple leads on accordion, fiddle and guitar with soulful vocals, all backed by a hard-swingin’ rhythm section. This band has fun and it’s contagious!

For over thirty years, Dan Navarro has written, sung, played and acted his way through a rich and varied career...

It was as a songwriter that Dan Navarro started his career, mostly in collaboration with Eric Lowen, for artists as diverse as Pat Benatar (the Grammy-nominated classic “We Belong”), The Bangles, Jackson Browne, Keb’ Mo’, Dave Edmunds, The Tempatations, Dionne Warwick, Dutch superstar Marco Borsato, The Triplets, Austin outlaw legend Rusty Weir and many more...

It’s not so much a sound as it is an essence; there is no need to be able to distinguish it before you can trust it. A Piano in Every Home’s second album North American Review is a collection that captures a poignant picture of the beauty and pain that comes with growing up. Written in the space and time reserved for examination, these eight tracks were coaxed from their bated origins with a delicate confidence and trial and error.

What started out as a duo of Travis Erickson on guitar and vocals, and Jacob Pavek on piano, the two childhood friends incorporated the doctrine of their live show into North American Review, which includes Jake Wallenius on drums and Mark Newcome Kartarik on bass. The quartet transformed the wide-eyed tunes into a full-grown collation.

Aaron Tinjum is a St. Paul, Minnesota-based songwriter.

He formed his folk rock project, Aaron Tinjum and the Tangents, while living in the Live Music Capital of the World, Austin, Texas. In 2012, they released their debut Mirrors in the Dark and were honored by the Mayor and City Council with an official band holiday.

In 2013, the group relocated to Washington, D.C., a move which Hometown Sounds described as "swimming against the tide of those talented musicians who make their mark on D.C. and move away." The group's follow-up, Foreign & Domestic, debuted in 2016.

They have opened for the likes of Sam Amidon, James McCartney, Reeve Carney and Kawehi.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Dirt Train 2nd Wednesdays RESIDENCY featuring special guests!!

Dirt Train is a five-piece Americana Rock & Roll band greasy enough to spread on toast. With equal parts classic Country and Soul tendencies, these ace Twin Cities players will make you dance, cry, and give you the courage to drink your weight in Jim Beam.

Tim Houlihan is an Americana singer-songwriter and covers troubadours of the early 1970’s. His style is influenced by folk, rock, blues and country (traditional country, that is). His onstage presence is upbeat and his performances take listeners on an emotional journey that leaves them wanting more.

Family Three are just two guys and one gal who love music. They would describe their sound as "Blindie-Soulk" - Blues, Indie, Soul and Folk. They have been playing some form of music since they were kids, but it wasn't until recently that they decided to take the next step, and are on the journey of finding out what it means to put the passion of music in the front seat.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Patty and The Buttons preach the gospel of hot rhythm and happy feet. The band is similar to what you would find in a dance hall, cafe or nightclub anywhere around the world between 1920-1940. Despite being an ensemble firmly rooted in tradition, the band presents their music without being shackled to history. They play their own compositions as well as takes on music of the era. Patty’s eclectic taste gives the band diverse influences including New Orleans Traditional Jazz, Western Swing, Gypsy Melodies, Ragtime Piano Blues, Jug Music and 1930′s Popular Song. The core instrumentation of accordion, clarinet, guitar and bass is light and swift, but also melancholic and lush when it needs to be. Patty , mostly known as an accordionist doubles as the bands vocalist. His voice is inspired most by the old time hollers and croons from the dawn of recording once described as “Tom Waits meets Rudy Vallee.” More than anything, The Buttons is a group that is always enjoying themselves… Which seems to give audiences permission to do the same.

Minnesota Acoustic Guitar Showcase is a musical collective of 10 Twin Cities based guitarists - they cover a diverse range of styles in their solo sets and collaborations of rotating players. Tonight’s show features Dan Schwartz, Ben Abrahamson and Sam Breckenridge. Starting at the very beginning, his dad’s interest in The Grand Ole Opry and his mom’s fondness for American Bandstand immersed Dan Schwartz in a wide variety of great music. This influence resonates in the range of music he…

It’s not so much a sound as it is an essence; there is no need to be able to distinguish it before you can trust it. A Piano in Every Home’s second album North American Review is a collection that captures a poignant picture of the beauty and pain that comes with growing up. Written in the space and time reserved for examination, these eight tracks were coaxed from their bated origins with a delicate confidence and trial and error.

What started out as a duo of Travis Erickson on guitar and vocals, and Jacob Pavek on piano, the two childhood friends incorporated the doctrine of their live show into North American Review, which includes Jake Wallenius on drums and Mark Newcome Kartarik on bass. The quartet transformed the wide-eyed tunes into a full-grown collation.

Dirt Train 2nd Wednesdays RESIDENCY featuring special guests!!

Dirt Train is a five-piece Americana Rock & Roll band greasy enough to spread on toast. With equal parts classic Country and Soul tendencies, these ace Twin Cities players will make you dance, cry, and give you the courage to drink your weight in Jim Beam.