Music is back at Aster Cafe!
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Dean Magraw & Dan Newton with Special Guest Pat Donahue (Folk) $6
Thursday, January 12, 2017 @ 8:00 pm - 10:00 pm
Composer, arranger, producer, guitarist Dean Magraw has fine-tuned his “Heavy Meadow” approach to music from years of performing and recording with some of the finest musicians in the United States, Europe, and Japan. His first recording, Broken Silence, came out in 1994 and won the NAIRD award for Best Acoustic Instrumental Album of the Year.
Dean has since produced myriad passionate albums, including his latest release, Fire on the Nile (Red House Records), a duo collaboration with renowned percussionist, Eric Kamau Gravatt.
“Dean Magraw’s guitar playing transcends, transports and lifts the soul to a higher level as he weaves, cajoles and entices every note from his instrument. The note, length of note, tone of note, the bending of the note; every colour of the note is explored and delivered with a master’s care and love. Just as important are the silences with which he knits his music… these can only come with being at one with one’s art. Dean Magraw is an incredible world class musician who’s modesty only makes him more appreciated by the listener.”
-Mairéad Ní Mhaonaigh (Altan)
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Dan’s fresh approach to the much-maligned squeeze-box and his mind-boggling repertoire of both original and traditional material will change the mind of the most hardened accordion skeptic, and delight the fan of the instrument. He draws influences for songs and tunes from such sources as French Musette, Gypsy Swing, Cajun, Jug band, Tex-Mex and Cumbia. Dan calls this global gumbo “ethnoclectic” music. “Daddy Squeeze” happily crosses musical borders with ease, often mixing styles with results like the “Yohnny B Goode Polka” (a hilarious look at what Chuck Berry’s music might sound like had he grown up in Minnesota)or a French language waltz version of the rock and roll chestnut “Wild Thing”. Dan’s original songs about thrift store shopping, coffee, hi-top sneakers, heartbreak, and joy are delivered with a voice that is captivating, expressive and encourages harmonizing. He mines gems from the repertoires of icons such as Gus Viseur, Gus Cannon, Bo Carter, Jo Privat, Clifton Chenier, Bob Wills as well as a few nuggets written by his friends and fellow musicians of today.
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Grammy winning fingerpicker Pat Donohue’s devotion to acoustic guitar has made him an American standard, as he echoes the tones of Robert Johnson, Blind Blake, Merle Travis or Muddy Waters. Chet Atkins called Pat one of the greatest fingerpickers in the world today; Leo Kottke called his playing “haunting.”
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